5 Free Uncategorized Fonts

Benton-Sans

Benton Sans Font

Benton Sans is a digital typeface family begun by Tobias Frere-Jones in 1995, and expanded by Cyrus Highsmith of Font Bureau. It was a reworked

Kabel Font

Kabel is a sans-serif typeface designed by German designer Rudolf Koch, and released by the Klingspor foundry from 1927 onwards. Kabel belongs to the “geometric”

Eurostile Font

Eurostile was originally produced in 1962 by the Nebiolo foundry as a more seasoned and complete version of its earlier Microgramma typeface, a caps-only design

Halis Grotesque Font

Halis Grotesque Font

The Halis Grotesque font family comes in eight weights of Normal and Italic. In addition, all weights contain small caps in both italic and normal.

58494

Brandon Grotesque Font

Brandon Grotesque is a sans serif type family of six weights plus matching italics. It was designed by Hannes von Döhren in 2009/10. Influenced by

104029

Brandon Text Font

Brandon Text is the companion of the famous Brandon Grotesque type family. It has a higher x-height than the Grotesque version and is optimized for

235323

Univers Font

Univers was designed by Adrian Frutiger on Swiss principles for Charles Peignot at Deberny & Peignot. Frutiger imposed strict discipline across all elements of the

198927

Trade Gothic Font

The first cuts of Trade Gothic were designed by Jackson Burke in 1948. He continued to work on further weights and styles until 1960 while

108777

FF DIN Font Free

Dutch type designer Albert-Jan Pool created this sans FontFont between 1995 and 2009. The family has 20 weights, ranging from Light to Black in normal

Frutiger Font

In 1968, Adrian Frutiger was commissioned to develop a sign and directional system for the new Charles de Gaulle Airport in Paris. Though everyone thought

Futura PT Font

Futura is the fully developed prototype of the twentieth century Geometric Sanserif. The form is ancient, Greek capitals being inscribed by the Cretans twenty-five hundred

238854

Avenir Font

Adrian Frutiger designed Avenir in 1988, after years of having an interest in sans serif typefaces. In an interview with Linotype, he said he felt